The Devil Wears Prada 2: Why David Frankel Isn't Closing the Door on Miranda Priestly
Director David Frankel discusses the challenges of reuniting the original cast for The Devil Wears Prada 2 and the potential for a third film.
Fashion moves fast, but the grip of Runway magazine lasts forever. We spent two decades wondering if Andy Sachs truly left that world behind for good. Now, the return of Miranda Priestly feels like a cold wind blowing through the industry again.
David Frankel, the man who shaped our view of high-stakes fashion, sits in the director's chair once more. He knows better than anyone that in this business, you never say never. He learned that lesson the hard way after promising he was done with the franchise years ago.
The original film defined a generation of office culture and style. Bringing that energy back required patience and a very specific set of circumstances. It was not just about making a movie, but about getting the right people back in the same room.
The long road back to runway
The 2006 film was a massive hit. It earned over 300 million dollars and turned a simple story about an assistant into a cultural touchstone. Fans have begged for more for twenty years, but the cast moved on to other massive projects.
Frankel admits he was hesitant at first. He felt the story ended where it needed to. Returning to the world of Miranda Priestly meant risking the memory of a classic. He did not want to force a sequel just for the money.
Getting the team back together proved to be the biggest hurdle. Meryl Streep is the heart of the story. Without her sharp gaze and icy tone, the movie simply would not exist. The script had to be perfect to earn her time.
What happens when the devil returns
The sequel brings us back to the desk of the most feared editor in the world. Frankel notes that the space of fashion changed since the first film. The digital era pushed print magazines to the brink, which creates a new kind of tension for Miranda.
He spent years waiting for a story that felt fresh. He wanted to show how the industry fights to stay relevant in a world dominated by social media. The script finally hit those marks, making the return feel earned rather than rushed.
The reunion process was emotional for the crew. Seeing the actors step back into their roles felt like visiting a house you used to live in. They had to balance the nostalgia of the first film with the reality of where these characters are now.
Frankel says he keeps an open mind about the future. If a third film makes sense, he will listen. He is done making absolute promises about walking away. The industry is too unpredictable to rule anything out entirely.
The production process focused on keeping the tone consistent. They wanted to capture that same sharp wit that made the first film work. It is a delicate balance of comedy and the harsh realities of a cutthroat workplace.
The director remains humble about the success of the series. He knows the fans own this story as much as he does. He listens to what people want, even if he does not always give it to them right away.
Behind the scenes of the sequel
The script development took several years to ensure the characters felt authentic to their original versions. Frankel worked closely with writers to keep the dialogue snappy and biting.
The casting process required careful coordination to align the schedules of several busy stars. Everyone had to be fully committed to the project for it to move forward.
The visual style reflects the evolution of modern fashion. The team used current trends to show how Runway magazine keeps up with a changing world.
What this means for future sequels
Frankel proves that time does not always kill a franchise. If the creative team finds a reason to keep the story going, fans will show up. Success in Hollywood often comes down to timing and the willingness to pivot.
The industry is currently obsessed with legacy sequels. While many fall flat, this one stands out because it focuses on character growth. Miranda Priestly is not the same woman she was twenty years ago, and that adds a layer of depth.
We should expect more studios to look at their back catalogs. If the team behind this sequel can make it work, others will try to replicate that magic. It shows that quality still matters more than just brand recognition.
Frequently asked questions
- Is Meryl Streep returning as the lead? Yes, she anchors the film as the iconic Miranda Priestly.
- Will the original cast join her? Most of the key players from the first film have returned for this project.
- Is there a third movie planned? Nothing is confirmed, but the director refuses to rule it out.
- How does the film address the internet? The plot centers on the struggle of print media in the age of digital influencers.
- When can fans see the movie? The studio has set a release date for later this year.
Expert take: my perspective
I think the reason this sequel works is because it respects the silence in between. We didn't need a movie every three years. By waiting two decades, the characters had time to change.
The thing that gets me is how people treat sequels like they have to be perfect. Sometimes, it is just fun to see these people again. I don't need a masterpiece; I just want the same level of sass.
I find the director's change of heart refreshing. Most people in this town lie about their plans. Frankel just admits that he was wrong, and that makes me trust his vision for the future more.
I hope they don't drag it out for a fourth or fifth film. Keep it tight. Keep it sharp. If they can stick the landing, this will be the rare sequel that doesn't ruin the original.