Rex Reed, Sharp-Witted Critic and Journalist Who Often Courted Controversy, Dies at 87

Rex Reed, the legendary and polarizing film critic known for his biting reviews, has died at 87. We look back at his career and impact on Hollywood journalism.

The world of film journalism lost one of its loudest voices this week. Rex Reed, the man who made movies nervous, died in his Manhattan home at 87. He was a force who refused to pull his punches for anyone.

Most critics try to find a middle ground to keep their access. Reed never cared about that. He wrote what he felt, and he made sure everyone heard it loud and clear. People either loved his wit or hated his attitude.

He was a star in a time when movie stars mattered more than anything. His death marks the end of an era where a single review could change the fate of a summer blockbuster. We will not see another writer like him again.

The rise of a new voice in cinema

Reed arrived on the scene during the 1960s. It was a time when the old studio rules were breaking down. He joined a pack of new writers who did not care for the stuffy, boring tone of the past. Pauline Kael was in that same group, changing how we talk about movies forever.

These writers brought a jazz-like energy to their work. They treated movies as art, but they also treated them as a business. They were not afraid to get dirty. They called out bad acting and lazy scripts with a style that felt fresh and dangerous.

Cinema was changing, too. The old guard was losing its grip. Studios were pumping out wild, messy, and bold films. Reed was the perfect person to cover this shift. He had the eyes to see what was coming, and he had the pen to describe it.

A career defined by controversy and wit

Reed became a household name because he was never boring. He did not just review a film; he attacked it or praised it with his whole heart. His columns were must-read material for anyone in the industry. Actors and directors feared his Monday morning take.

He did not limit himself to just writing about movies. He interviewed the biggest icons of the day. He had a way of getting people to open up, even when they knew he might write something mean later. That was his gift.

Some people called him cruel. Others called him honest. Reed would likely laugh at both labels. He believed his job was to be the audience's proxy. If he hated a movie, he wanted the readers to know exactly why.

His tenure at various publications gave him a platform that few writers today could dream of. He became a brand. He was as famous as the people he covered. That level of fame for a critic is almost unheard of today.

Even as he grew older, he did not soften his tone. He kept writing until the very end. He stayed true to his own voice even when the world of media shifted toward the internet. He was a holdout for a different kind of journalism.

The business of film criticism

The way we consume movie news has changed. We rely on social media and quick takes now. Reed came from a time of long-form, print journalism. He wrote pieces that took time to read and even longer to digest.

He understood the film criticism industry better than most. He knew that a good review needed a hook. He knew that people love a villain as much as they love a hero. He played the part of the villain for many filmmakers.

His work leaves behind a huge archive. Historians will look at his pieces to understand how we felt about stars like Elizabeth Taylor or Marlon Brando. He captured the mood of Hollywood better than any textbook ever could.

The legacy of a polarizing figure

It is hard to measure the impact of someone like Rex Reed. He opened the door for a style of writing that is very common now. Every blogger who writes a mean tweet about a movie owes a little bit to his style. He showed that you can be successful by being bold.

We see a lot of "safe" criticism today. Studios have so much control that writers are often afraid to speak up. Reed reminds us that the best writing comes from a place of total freedom. He did not care about hurting feelings.

His legacy is not just the movies he liked. It is the idea that a critic should be a person, not a machine. He was human, he was flawed, and he was brilliant. That is all we can ask for in a writer.

Frequently asked questions

  • Who was Rex Reed? He was a famous and controversial American film critic and journalist known for his sharp, often biting reviews.
  • How old was Rex Reed when he died? He was 87 years old.
  • What made his writing style unique? He used a bold, acidic, and highly personal tone that stood out against traditional, dull film analysis.
  • Did Rex Reed only write about movies? No, he was also a well-known interviewer who profiled many Hollywood stars throughout his long career.
  • What is his lasting impact on journalism? He helped pave the way for a more opinionated and personality-driven style of entertainment reporting.

Expert take: my perspective

I think we are going to miss the kind of critic Rex Reed was. We live in a world where everyone wants to be "nice" to keep their press access. Reed never cared about that.

The thing that gets me is how much we have lost the art of the "hatchet job." Reed could write a bad review that was still a joy to read. It takes real skill to be that funny while being that mean.

I believe younger writers are too scared to be honest today. They worry about their follower count or getting invited to the next press junket. Reed didn't have that problem. He just wrote.

I think his career is a lesson for all of us. You don't have to be liked by everyone to be good at your job. Sometimes, being the person who speaks the truth is the most important thing you can do.